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The cruise industry as it exists today – somewhat affordable, aggressively fun, indulgent by design – is a relatively new phenomenon, rooted in the 1960s, when passenger ships struggled to compete with air travel. After a pivot to all-inclusive pleasure voyages, cruising is now a $45 billion industry, beloved by some for its budget-friendly luxuries and amenities, and bemoaned by others for its environmental toll, treatment of workers, and – as highlighted by the COVID-19 pandemic – health risks.
The observational documentary All Inclusive drops viewers head-first into the strange rituals of tableside conga lines, captain meet-and-greets and pool cannonball contests that characterise the cruise experience. While the Swiss director Corina Schwingruber Ilić’s tongue-in-cheek tone permeates throughout, the film offers more than just an invitation to gawk, as ‘fun’ plays out in a series of over-the-top pastimes, hinting at the economic and social stratification between guests and workers.
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
6 minutes
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Animals and humans
One man’s quest to save an orphaned squirrel, as narrated by David Attenborough
14 minutes
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Computing and artificial intelligence
A future in which ‘artificial scientists’ make discoveries may not be far away
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History
Hags, seductresses, feminist icons – how gender dynamics manifest in witches
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Wellbeing
Children of the Rwandan genocide face a unique stigma 30 years later
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Earth science and climate
Images carved into film form a haunting elegy for a disappearing slice of Earth
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Biology
Butterflies become unrecognisable landscapes when viewed under electron microscopes
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War and peace
Two Ukrainian boys’ summer unfolds just miles from the frontlines
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Nature and landscape
California’s landscapes provide endless inspiration for a woodcut printmaker
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